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New College students use puppetry to teach job skills in prison

7 hours ago
By AI, Created 21:22 UTC, Sep 09, 2026, AGP -

New College of Florida students and Dr. Tyler Fisher are using a puppetry-based workshop to help incarcerated people practice job interviews and prepare for reentry. The program, funded by a Community Impact Grant from United Arts of Central Florida, will also send inmate-made puppets on display at Hart Memorial Central Library starting in September 2026.

Why it matters: - The program targets a major barrier to reentry: interview anxiety and the confidence gap that can follow incarceration. - The workshop gives inmates a low-pressure way to practice job readiness while also turning the puppets into public art. - New College students get real-world experience by helping design and run a community program, not just observing one.

What happened: - Dr. Tyler Fisher and undergraduate students at New College of Florida are using purpose-built puppetry to teach job interview skills to incarcerated people at the Osceola County Corrections Department. - The program, "The Art of Interviewing: Voice, Vision, Vocation," is funded by a Community Impact Grant from United Arts of Central Florida. - Fisher is working with the bilingual performing arts nonprofit Open Scene. - The team recently finished puppetry workshops in English and Spanish with male and female inmates. - The current summer focus is female inmates and the reentry challenges they face.

The details: - New College students Jones Hogsed and Alicia Byrne are co-creators of the project. - Byrne, who studies English and Creative Writing, helped draft custom practice scripts for the interviews. - Byrne also created three scenario scripts for the puppets: a deliberately disastrous interview, a solid interview, and an excellent interview. - Fisher, the students, Open Scene, and co-teacher Leah Basaria designed puppets for a carceral setting. - The puppets are made from soft foam and felt. - The puppets include interchangeable appendages and facial features that inmates assemble themselves. - The puppets are anthropomorphic and use non-human colors to avoid racial connotations. - Inmates give the puppets names and job goals to build future-oriented personas. - Examples from the workshops include Sheree, aspiring Dog Kennel Owner; Pepito, Jr., Camionero; Waffles, Asphalt Foreman; Little One, Clothing Retailer; and Sir Charles Legend, Restaurateur. - During a four-week workshop series, inmates use the puppets to practice mock job interviews. - Fisher said the puppet gives users a buffer from shame, inhibition, and self-consciousness, and lets critique land on the puppet instead of the person.

Between the lines: - The project blends arts education, workforce training, and rehabilitation in a way that could be harder to dismiss as purely symbolic because it centers a practical skill: interviewing. - The puppet design suggests the team is trying to make the exercise feel safe, personal, and culturally neutral inside a correctional setting. - The public exhibition also reframes participants as creators, not just inmates, which may help shape how the community sees reentry.

What's next: - The puppets created by inmates will be exhibited at Hart Memorial Central Library beginning in September 2026. - Fisher says the exhibition is intended as a humanizing alternative to a traditional mugshot. - New College says the effort aligns with the Fulcrum Career Center’s mission to connect liberal arts learning with careers through coaching, internships, mentorship, and experiential learning. - The college also points to the program as an example of undergraduate students gaining professional experience through community partnerships.

The bottom line: - New College is using puppetry to turn interview practice into a hands-on reentry tool, and the results will soon move from the correctional facility to a public library display.

Disclaimer: This article was produced by AGP Wire with the assistance of artificial intelligence based on original source content and has been refined to improve clarity, structure, and readability. This content is provided on an “as is” basis. While care has been taken in its preparation, it may contain inaccuracies or omissions, and readers should consult the original source and independently verify key information where appropriate. This content is for informational purposes only and does not constitute legal, financial, investment, or other professional advice.

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